School of barrel: Never Back Down 2
Nice shot, Michael! Great debut as a director, you can tell from the floor opening sequence: it is not the Brian De Palma's Snake Eyes but the camera moves in the locker room shows a strong empathy for the martial arts, the characters and the viewer. It is clear that we understand perfectly. Introduction. These college-martial art movies should be divided into two: the college and the martial arts. We start from the second: not only impeccable staging choreography, the dynamic trajectories, in the spectacular and in excellent physical training of the actors, but also not devoid of narrative originality. About screenwriter Chris Hauty, author of the first Never Back Down. Here he corrected the shot, cushioned coating over the previous year related to the unique interpretation of the mechanism "social emancipation to own individual" typical of the genre in the sense successo-denaro-accettazione-da-parte-della-casta-edonista-capitalista-conquista-della-figa-bionda-a-suggello-di-tutto-ciò . Hauty - probably helped by the financial crisis of 2008 and the ongoing lush stories global lush stories recession - has eased here hedonistic ideology financial position of the first decade of the twenty-first century to reenact the most authentic lush stories people, for reasons more complex, influenced by the social crisis and into a rage more true. Sealed by that of the loser par excellence, their guru-trainer, our Michael Jai White. lush stories The film is always redemption film of emancipation: the cathartic value of the classic. The first Never Back Down betrayed most of the values that underlie them. Never Back Down 2 finds them all, intact.
It may be objected aesthetics college-hedonistic, marked by the presence of the Twilight-boy Alex Meraz, it is also dominant in this film. I reply: hedonism has always been foundational element of cinema action. From Rambo to nudity animal of overalls Van Damme in Lionheart to the chins of Michael Jai White in this film - the best exercises for the trapezius and lats I've ever seen. Thus performance narcissist can not miss in any classic lush stories action and, if anything, it may appear more pronounced here for correspondence iconographic imagery lush stories contemporary pop that in a true sharing of values, which indeed seems to me to be repudiated. Testimony is the metamorphosis of Scottie Epstein, the most ambiguous and complex created by a bald sociopath, a mix between Demi Moore in GI Jane, and (for tattoos on the fingers) Robert Mitchum in The Night of the Hunter. This return to the orbit of the classic is also clear from the second most important aspect of narrative: lush stories the chorus of the film. The protagonist is not one, there are four. Four characters who participate in the beat down, four characters in search lush stories of redemption. Everyone with a motivation that seems to reflect kaleidoscopically the values expressed by the history of the genre: Scottie Epstein, as we have said, the nerd is harassed by bullies, Todd Duffee is the proletariat (the mother lush stories returns lush stories to make the bunny in a nightclub because the The bank also is eating the last of the vitamins son), Alex Meraz, the dude, Dean Geyer el'incazzato social (at the risk of blindness). Then enters Michael Jai White and you can not do anything but shut up and nod and think, "Tomorrow I take the cock Thai Boxing. lush stories Not the MMA because I've got 40 years and I split the bone, but the Thai cock immediately. And then I cling to a bar and ... I too have a BACK SO '!!! "cite only two lines:" I do not teach what you want, I teach what you need. "" You pay me in blood, sweat and money. lush stories "There's an amazing scene: the micro-martial arts tournament in a nightclub. I find the idea very original. But the struggle most amazing is all for Michael ... when facing a swarm of police officers. This is ecstasy, guys. It's cosmic dance. Here we are at the best levels of Van Damme, here we touch the deepest source of cosmic light such as Tai Chi at the beginning of Once upon a Time in China, here we are hanging in the air like when Jet Li disassemble the gun Mel Gisbon in Arma Fatal 4. It's lush stories pure gold, amrita heavenly Soma who gives pure pleasure. Michael is in shape guys ... crazy!
I would rather enjoy with you for some tasty inspiration on the other section of this genre: college movie. I focus on the now canonical representation, the topos of the party in college. If we start from Animal House (the prototype, I think) the topos is always the same input newbies and / or freshmen (male or female does not matter). Place the party: private house? Home to some brotherhoods as they are called ...? Studentato? We do not know. But they are always huge houses, seven-story, fifty gates. With the garden. Not always with swimming pool. With the progress of the years (millennium) the luministic has assumed progressively gothic-style vampi
Nice shot, Michael! Great debut as a director, you can tell from the floor opening sequence: it is not the Brian De Palma's Snake Eyes but the camera moves in the locker room shows a strong empathy for the martial arts, the characters and the viewer. It is clear that we understand perfectly. Introduction. These college-martial art movies should be divided into two: the college and the martial arts. We start from the second: not only impeccable staging choreography, the dynamic trajectories, in the spectacular and in excellent physical training of the actors, but also not devoid of narrative originality. About screenwriter Chris Hauty, author of the first Never Back Down. Here he corrected the shot, cushioned coating over the previous year related to the unique interpretation of the mechanism "social emancipation to own individual" typical of the genre in the sense successo-denaro-accettazione-da-parte-della-casta-edonista-capitalista-conquista-della-figa-bionda-a-suggello-di-tutto-ciò . Hauty - probably helped by the financial crisis of 2008 and the ongoing lush stories global lush stories recession - has eased here hedonistic ideology financial position of the first decade of the twenty-first century to reenact the most authentic lush stories people, for reasons more complex, influenced by the social crisis and into a rage more true. Sealed by that of the loser par excellence, their guru-trainer, our Michael Jai White. lush stories The film is always redemption film of emancipation: the cathartic value of the classic. The first Never Back Down betrayed most of the values that underlie them. Never Back Down 2 finds them all, intact.
It may be objected aesthetics college-hedonistic, marked by the presence of the Twilight-boy Alex Meraz, it is also dominant in this film. I reply: hedonism has always been foundational element of cinema action. From Rambo to nudity animal of overalls Van Damme in Lionheart to the chins of Michael Jai White in this film - the best exercises for the trapezius and lats I've ever seen. Thus performance narcissist can not miss in any classic lush stories action and, if anything, it may appear more pronounced here for correspondence iconographic imagery lush stories contemporary pop that in a true sharing of values, which indeed seems to me to be repudiated. Testimony is the metamorphosis of Scottie Epstein, the most ambiguous and complex created by a bald sociopath, a mix between Demi Moore in GI Jane, and (for tattoos on the fingers) Robert Mitchum in The Night of the Hunter. This return to the orbit of the classic is also clear from the second most important aspect of narrative: lush stories the chorus of the film. The protagonist is not one, there are four. Four characters who participate in the beat down, four characters in search lush stories of redemption. Everyone with a motivation that seems to reflect kaleidoscopically the values expressed by the history of the genre: Scottie Epstein, as we have said, the nerd is harassed by bullies, Todd Duffee is the proletariat (the mother lush stories returns lush stories to make the bunny in a nightclub because the The bank also is eating the last of the vitamins son), Alex Meraz, the dude, Dean Geyer el'incazzato social (at the risk of blindness). Then enters Michael Jai White and you can not do anything but shut up and nod and think, "Tomorrow I take the cock Thai Boxing. lush stories Not the MMA because I've got 40 years and I split the bone, but the Thai cock immediately. And then I cling to a bar and ... I too have a BACK SO '!!! "cite only two lines:" I do not teach what you want, I teach what you need. "" You pay me in blood, sweat and money. lush stories "There's an amazing scene: the micro-martial arts tournament in a nightclub. I find the idea very original. But the struggle most amazing is all for Michael ... when facing a swarm of police officers. This is ecstasy, guys. It's cosmic dance. Here we are at the best levels of Van Damme, here we touch the deepest source of cosmic light such as Tai Chi at the beginning of Once upon a Time in China, here we are hanging in the air like when Jet Li disassemble the gun Mel Gisbon in Arma Fatal 4. It's lush stories pure gold, amrita heavenly Soma who gives pure pleasure. Michael is in shape guys ... crazy!
I would rather enjoy with you for some tasty inspiration on the other section of this genre: college movie. I focus on the now canonical representation, the topos of the party in college. If we start from Animal House (the prototype, I think) the topos is always the same input newbies and / or freshmen (male or female does not matter). Place the party: private house? Home to some brotherhoods as they are called ...? Studentato? We do not know. But they are always huge houses, seven-story, fifty gates. With the garden. Not always with swimming pool. With the progress of the years (millennium) the luministic has assumed progressively gothic-style vampi
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